 |
| Designed by Nicky Laatz, Nightingale Script is a historical and script font published by Nicky Laatz. |
Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago.
Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel.
Includes a small selection of Opentype Ligatures and alternate letters (see preview) .
 |
| Designed by Kaja Słojewska, Rupert is a sans serif font family. This typeface has sixteen styles and was published by Nomad Fonts. |
Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental.
Rupert is a geometric sans-serif consisting of 8 weights, ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms.
He’s flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is… Rupert Light is free to download! So grab it now and begin building great work together.
 |
| Designed by Jeff Levine, Detective Client JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel.
Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre.
The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate.
After all, this is a reasonably attractive font, and in this kind of film it’s usually the “attractive damsel in distress” [be she the victim or the actual perpetrator] that gets the story rolling…
Detective Client JNL is available in both regular and oblique versions.
 |
| Designed by Álvaro Franca, Felipe Casaprima and Ben Nathan, Discórdia is a display, display serif and display slab font family. This typeface has four styles and was published by Naipe. |
Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is… Well, it’s probably best if see for yourself.
These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic.
Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support.
 |
| Designed by Connary Fagen, Greycliff Thai CF is a foreign and sans serif font family. This typeface has eighteen styles and was published by Connary Fagen Type Design. |
Greycliff Thai CF adapts Greycliff’s popular soft, geometric design to the Thai script. Both Latin and Thai glyphs are included, allowing for cohesive multiple-script applications. Greycliff Thai CF includes nine weights, obliques, and full Thai diacritics.
Greycliff Thai CF works as a complete, self-contained type system, with both Latin and Thai scripts included and designed to compliment one another.
 |
| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
 |
| Designed by Jeff Levine, Detective Client JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel.
Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre.
The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate.
After all, this is a reasonably attractive font, and in this kind of film it’s usually the “attractive damsel in distress” [be she the victim or the actual perpetrator] that gets the story rolling…
Detective Client JNL is available in both regular and oblique versions.
 |
| Designed by Álvaro Franca, Felipe Casaprima and Ben Nathan, Discórdia is a display, display serif and display slab font family. This typeface has four styles and was published by Naipe. |
Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is… Well, it’s probably best if see for yourself.
These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic.
Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support.
 |
| Designed by Connary Fagen, Greycliff Thai CF is a foreign and sans serif font family. This typeface has eighteen styles and was published by Connary Fagen Type Design. |
Greycliff Thai CF adapts Greycliff’s popular soft, geometric design to the Thai script. Both Latin and Thai glyphs are included, allowing for cohesive multiple-script applications. Greycliff Thai CF includes nine weights, obliques, and full Thai diacritics.
Greycliff Thai CF works as a complete, self-contained type system, with both Latin and Thai scripts included and designed to compliment one another.
 |
| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
 |
| Designed by Rafael Jordan, Tannen is a blackletter and stencil font family. This typeface has twelve styles and was published by Rafael Jordan. |
Tannen is an interpretation of the Emil Meyer’s Tannenberg, the result is a fun and cool blackletter display built without curves and casual look with a lot of personality and expressivity. It has 3 independent styles (regular, inline and shadow) that can be combined with each other, plus a stencil style. Tannen counts with 3 weights per style, OpenType features (ligatures, alternates, fractions and more) and supports dozens of latin languages.